KUNA MENDE KWENYE MASHINE (There’s a Bug in the Machine) is the third exhibition in the Art Exchange: Moving Image series. Curated by Jesse Gerard Mpango, a founding member of Ajabu Ajabu—a multimedia curatorial collective based in Dar es Salaam—the exhibition invites visitors to reconsider the rhythms of creation and circulation, offering exploration of an alternative history and genealogy of moving image. It seeks to evoke new perspectives on the diverse narratives and histories surrounding the medium, encouraging a speculative engagement with its evolving role and resonance. 

In September 2023, Belinda Kazeem-Kamiński (b. 1980, Vienna) arrived in Lagos to begin her research-focused residency at Yinka Shonibare’s Guest Artist Space (G.A.S.) Foundation after being awarded the inaugural Access ART X Prize in the category Nigeria/Diaspora. This residency marked a significant moment in her artistic practice, as Lagos's vibrant, kinetic energy brought Belinda Kazeem-Kamiński closer to the traditions of Yoruba cosmology and language as well as West African studio photography.

On Thursday, November 7th, G.A.S. Lagos hosted My Journey in Art, an artist talk and interactive drawing workshop led by hen-resident and ART X Diaspora Prize winner Shabu Mwangi. While the word "journey" often evokes thoughts of physical movement, for Shabu, it represents personal growth, transformative experiences, and impactful change. Throughout the evening, Shabu offered a glimpse into his artistic evolution, sharing the inspiration behind his recent work, the phases of his creative process, and his unwavering commitment to using ​​​art as a medium for social change. 

Join us at G.A.S. Lagos for École du Festival, a collaborative and experimental Study Day focused on re-examining and reactivating the cultural, political, and artistic legacies of pan-African festivals. Organized in the framework of G.A.S. Foundation‘s Annotations programme, the Study Day serves as a site for critical dialogue between artists and researchers working on pan-African festivals and interested publics. 

G.A.S. is excited to welcome back Ofem Ubi, a multidisciplinary artist and recipient of the G.A.S. Foundation's Annual Fellowship Award. As one of the inaugural awardees in 2022, he returns for an eight-week residency to explore creative possibilities at the G.A.S. Farm House in Ijebu. Working across photography, film, and literature, Ofem’s practice focuses on experimenting with participation and collaboration, creating spaces that foster audience engagement and contribution.

Kosisochukwu Nnebe, an artist, writer and an awardee of G.A.S. Foundation's annual fellowship, joins us for a seven-week residency at the G.A.S. Farm House in Ijebu. Her multifaceted practice spans sculpture, installation, photography, film, performance, sound, textiles, and multidisciplinary research. Kosisochukwu's work critically examines how culinary practices and food can function as counter-archives – what Brett Kashmere’s defines as “incomplete and unstable repositories” – that can challenge official narratives and open us up to subaltern perspectives. A central focus of her current research is cassava, particularly its historical use as poison with which to resist colonial oppression in the Caribbean.

Join us at G.A.S. Lagos for a free screening of Ebrohimie Road: A Museum of Memory, a documentary by Kola Tubosun and Tunde Kelani. This powerful film explores how a small campus bungalow at the University of Ibadan became a pivotal site in Nigeria’s history, where literary icon Wole Soyinka was arrested during the Civil War.

The G.A.S. Library and Picton Archive, founded in 2022, houses over 1,500 volumes generously donated by Emeritus Professor John Picton and Sue Picton. Focused on the visual arts of Sub-Saharan Africa and its diaspora, this vital collection, built over six decades, is an open resource for residents and researchers at G.A.S. Lagos. With the support of our community, the archive continues to grow, preserving the Picton legacy and enriching knowledge of African art and history.

To conclude his six-week residency, Misheck Masamvu invited guests to his studio at the G.A.S. Farm House in Ijebu, where he spent most of his time developing a new body of work for his upcoming solo exhibition amidst the rich agricultural landscape. During this intimate gathering, Misheck presented a walkthrough of the works on canvas he developed throughout his residency, sharing insights into his creative process.