In May and June, G.A.S. Foundation welcomed a vibrant cohort of artists, writers, and scholars whose practices spanned sound, photography, literature, and visual storytelling. Over residencies and internships ranging from three to eight weeks, they immersed themselves in Lagos and beyond, engaging in research, fieldwork, community workshops, and public programmes that explored themes of memory, identity, archives, and collective imagination. Their time with G.A.S. fostered meaningful cross-cultural exchanges and culminated in events that opened up new spaces for dialogue and collaboration within the wider creative ecosystem.

In June 2025, Guest Artists Space (G.A.S.) Foundation, in partnership with the Yinka Shonibare Foundation (Y.S.F.) announced the 2025–26 edition of Re:assemblages, a dynamic, multi-year programme designed to foster collaboration and experimentation across postcolonial art archives and library collections. This ambitious initiative reimagines the stewardship and activation of African and Afro-diasporic art archives, and will result in a rich constellation of international convenings, symposia, micro-publications, and a research intensive.

We were pleased to partner with Gallery TPW and the National Gallery of Canada on a public talk with artist Liz Johnson Artur, which took place on August 5, 2025. The event marked the first activation of the AAL Lab Convening series, Contemporary Art and Archive Practices (CAAP), an international series of public convenings led by Guest Artists Space (G.A.S.) Foundation and Yinka Shonibare Foundation (Y.S.F.). Focused on the borders of contemporary art and archival practice, CAAP unfolds as part of the 2025–26 edition of Re:assemblages, a dynamic, multi-year programme designed to foster collaboration and experimentation across postcolonial art archives and library collections.

The 20th century can be read as a formative ecotonal space—an unsettled, generative borderland where networks fractured and reformed, collaborations ignited, and tensions gave way to new modes of relation. Within this compressed terrain, distinct ecologies of African and Afro-diasporic thought and practice took shape, producing postcolonial libraries and archives that carried with them emergent aesthetic and epistemic registers—unfinished, insurgent, and alive with possibility.  

We are delighted to invite you to join the Yinka Shonibare Foundation’s Lagos Patron Tour 2025—a truly exceptional opportunity to experience the vibrant cultural landscape of Lagos through an exclusive, curated journey that brings together art, dialogue, and global connection