KUNA MENDE KWENYE MASHINE (There’s a Bug in the Machine) is the third exhibition in the Art Exchange: Moving Image series. Curated by Jesse Gerard Mpango, a founding member of Ajabu Ajabu—a multimedia curatorial collective based in Dar es Salaam—the exhibition invites visitors to reconsider the rhythms of creation and circulation, offering exploration of an alternative history and genealogy of moving image. It seeks to evoke new perspectives on the diverse narratives and histories surrounding the medium, encouraging a speculative engagement with its evolving role and resonance. 

In September 2023, Belinda Kazeem-Kamiński (b. 1980, Vienna) arrived in Lagos to begin her research-focused residency at Yinka Shonibare’s Guest Artist Space (G.A.S.) Foundation after being awarded the inaugural Access ART X Prize in the category Nigeria/Diaspora. This residency marked a significant moment in her artistic practice, as Lagos's vibrant, kinetic energy brought Belinda Kazeem-Kamiński closer to the traditions of Yoruba cosmology and language as well as West African studio photography.

This autumn, G.A.S. Foundation celebrates four alumni making strides in exhibitions and project debuts that highlight the influence of their residencies in Lagos. Tobi Onabolu's evocative video collage Ojú-Inu premieres in London, blending live action and soundscape to explore media's impact on consciousness. Karl Ohiri and Riikka Kassinen’s Abi Morocco Photos: Spirit of Lagos opens at Autograph London, showcasing the legacy of a renowned Lagos studio. Miriam Bettin’s Grow It, Show It! at Museum Folkwang interrogates hair as a symbol of identity and resistance, while Rafael Kouto's Circular Heroes project on upcycling debuts at Photo Vogue Festival 2025 in Milan. Each project reflects deep engagement with Nigerian culture, history, and aesthetics.

G.A.S. Foundation’s 2024-25 residency season launched with a dynamic cohort of multidisciplinary practitioners. ⁠Ana Ogunsanya explored her Nigerian-British heritage through Indigenous textile practices, while Phokeng Setai reimagined scaffolding as a site for public art in Lagos. ⁠Meanwhile, Alexandra Martens Serrano engaged with the intersection of quantum technologies and natural ecologies. Misheck Masamvu spent time at the G.A.S. Farm House developing new works that were informed by the Nigerian cultural landscape. ⁠The season continues with ART X Prize winner Shabu Mwangi, who is deepening his exploration of identity and power dynamics ahead of his presentation at the 9th edition of the fair.⁠
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